Unwind: A Book Review

Book: Unwind (Unwind dystology #1)

Author/Authoress: Neal Shusterman

Unwind (Unwind, #1)

Cover: 4/5

Right away the cover sets the tone for this book. Creepy, disturbing and dark. Just looking at the cover gave me chills. However, for those for you who are worried, the book is not as ghastly as the cover implies. The characters are very human. It’s just the world they’re placed into that is disturbing. One thing I love about the cover: the fingerprint identation. Identity is a major aspect of this book and what better way to represent that then by a fingerprint?

Plot:5/5

The Second Civil War was fought over reproductive rights. The chilling resolution: Life is inviolable from the moment of conception until age thirteen. Between the ages of thirteen and eighteen, however, parents can have their child “unwound,” whereby all of the child’s organs are transplanted into different donors, so life doesn’t technically end. Connor is too difficult for his parents to control. Risa, a ward of the state is not enough to be kept alive. And Lev is a tithe, a child conceived and raised to be unwound. Together, they may have a chance to escape and to survive.

Yes the plot is actually as creepy as it sounds.

Unwind by Neal Shusterman is a novel about a world gone insane (to a frightening degree) in which children between the ages of thirteen and eighteen can be legally signed over by their parents or guardians to be put through a harvest camp so that others can take their organs, tissue and blood. Yes, you heard me. Organ harvestation camps.

In these camps, ‘problematic’ children and tithes (people who are brought up for the express purpose of being donors) have all of their organs harvested (or at least 99.44%) so that they can be reused. To make this world even more screwed up, transplants are pretty common in the world. You have less than stellar vision? No problem, you don’t need to get glasses. Glasses are so pointless when you can just get a new eye. Going bald? Ouch! you better cover that spot up soon. You can always use the lustrous locks of some poor teen.

“I’d rather be partly great than entirely useless.”

This is what a boy about to be unwound says. And it reflects pretty well what society seems to think. Entirely useless children have no real place in it. They are more valuable in parts than as a whole.

So what’s the history behind the organ camps? Well apparently there was something called the Heartland Wars in which people fought over the issue of the legality and morality of abortion. The verdict? Abortion is illegal when the child is a foetus but you can always have all of their organs harvested while they are  between the ages of 13 and 18. How’s that for morality? And if you just can’t wait to get rid of the child, you could always use the ‘storking’ method. People can leave infants on other people’s doorstep and thus legally handing over their responsibilities of the child. And they’ll be forced to take it in. Perfectly legal and moral. As long as you don’t get caught of course. The problem is usually the storked families don’t want the infant anyways.

Anyways, as much as the plot creeps me out, you can see the sheer potential Neal Shusterman has created in this world. And he doesn’t disappoint. This book is crazy good in a creepy sort of way.

Characters: 5/5

The book is told in multiple POV’s. Thus, giving us a good feel for the thoughts and emotions of each character. I’ll write about them in chronological order.

Connor: He’s a troubled teen. Not particularly good but not particularly bad. He’s not vicious, spiteful or difficult. But he has quite a temper, goes looking for trouble and mostly lazy.  But his parents are also lazy and selfish. Bought in by all the unwinding-is-good propaganda, they sign him up to be unwound. And this is where the story starts. Understandably, Connor is not really into the idea. So he runs away in the middle of the night. He’s tracked by a Cop. To get away from him, he uses Levi as a hostage.

Lev is a tithe, a child born and raised to be signed off as an Unwind as soon as he turns thirteen. There’s no polite way to say this. But Lev is … brainwashed. His oldest brother is vehemently against the process, but his deeply religious parents have convinced Lev that being tithed is a great honor that he must follow through to the end. And Lev is not happy that the end will come later rather than sooner.

Disturbed by the chaos of an AWOL Unwound holding a tithe as hostage, Risa makes a plan to escape. She’s a ward of the state whose piano playing skills weren’t enough for her to make the cut. The budget cuts. And so she is signed up to be unwound. Unsurprisingly this doesn’t fit in well with her ambitons.

When these three meet, they make a plan to stay off the radar of the Cops (in the book the cops incharge are called juvenile authorities) who plan to take them to the harvestation camp (Okay, Risa and Connor do.)  Lev, who feels he was deprived of the purpose and honour of giving up his life, gives them up but immediately feels remorseful (frankly, that part really annoyed me). Thankfully, all three of them escape (there wouldn’t be much of a story if they didn’t). Risa and Connor end up in the basement of a safe house and Levi ends up in the company of an interesting kid called CyFi who suffers from something like dual personality because half of his brain was a transplant from another kid.

In the basement of the safe house Risa and Connor end up in the company of several children. One of them is Hayden. His parents divorced but were unable to decide who received custody. In pure spite, each of them signed the papers agreeing to let Hayden be unwound so that the other wouldn’t get custody. Talk about priorities. Another is Raymond. Raymond is a violent, psychopath who attacks Risa in an effort to get to Connor. He’s also a traitor. But even he doesn’t deserve the fate he receives. He’s unwound at Happy Jack Camp (that name is revolting, isn’t it?). That chapter is one of the most disgusting, horrifying scenes I’ve read. Scratch that. It is the most horrifying scene I’ve read. I almost puked. His unwinding takes place with him strapped to a table, conscious and under anaesthesia. The whole time, a nurse talks to him and warns him that he’ll lose ability and feeling in each of his limbs as they get harvested. Definitely not a scene for the faint hearted.

All three main characters grow and change so much in this book. Connor becomes responsible and trustworthy. He starts thinking before he acts (Risa’s influence no doubt). But his rough around the edges personality never truly goes away. Risa is the character who changes the least. She was never naïve, but I think her experience makes her a little jaded. Still she remains clever and full of life throughout the book. Holy Hell! does Lev change a lot? It was heart breaking to see him go from annoying little tithe to angry suicidal bomber to loyal and regretful friend. I predict that Lev’s a character to be watched throughout the series.

Romance:5/5

The romance in this book was like a little sidenote to the whole story. But you should feel assured that it was a good sidenote. The romance between Risa and Connor was sweet and intense but it didn’t take over the entire story like romance tends to do in most dystopian novels. Hello, Divergent or The Hunger Games? The character were willing and able to put the needs and necessities of other Unwinds before their own romance. And thank god each thought of theirs wasn’t nauseatingly sweet thoughts about the other.

Ending: 5/5

On a scale of 1-5 for cliffhangers, I’d put the book at about 2.5. The ending was pretty bitter sweet with each character having lost stuff important to them. <spoiler> Risa loses the use of her legs, Connor loses his arm and it gets replaced by an organ from an Unwind (which is something he feels is morally irreprehensible) and Lev gets put in jail trapped in a suit which doesn’t allow him to move at all. </spoiler>

Plotholes:5/5

This book really makes you think. It’s the type of dystopian book which has quite a few political undertones (and overtones too). I mean, pro-life or pro-choice- that’s quite a difficult decision to make. Maybe that’s why it’s so sensitive.

It speaks about identity and at points it even gets a little spiritual. Like if you are divided into parts and not really dead, would your soul disappear or would it just be spread. After reading this book you’ll practically be forced to deliberate on topics like morality and ethics of organ harvestation and how much control parents/guardians should really have.

Overall Rating: 5/5

It’s rare enough for me to give one book a 5/5 rating but two in a row? The sky must have fallen. But Unwind deserves this rating. Deep, interesting and unique characters, a twisting and new plotline. Plus it really makes you think. I’d recommend this book to everyone over the age of 13 because there is one chapter that is particularly revolting (Raymond’s unwinding). That chapter is not terribly descriptive but it is the stuff of nightmares, so beware.

 

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The Darkest Minds:A Book Revew

Book: The Darkest Minds

Author/Authors: Alexandra Bracken

The Darkest Minds (The Darkest Minds, #1)

Cover:2/5

There was nothing wrong with the cover …. But nothing really made it stand out (you would think that the orange on the cover would be like a flashing beacon, but no it actually isn’t). Combined with the fact that Disney was the publisher (I’m not really a Disney princess fan; not when they messed up the fairytales so much) , this book really didn’t look so appealing. So, I passed it up for a long time despite its good rating for other books with better covers (but inferior content). Moral of the story for publishers: Readers judge books by their covers. Moral of the story for readers: Trust your fellow readers and goodreads.com; seriously, they rarely guide you wrong.

Plot:5/5

When Ruby woke up on her tenth birthday, something about her had changed. Something alarming enough to make her parents lock her in the garage and call the police. Something that gets her sent to Thurmond, a brutal government “rehabilitation camp.” She might have survived the mysterious disease that’s killed most of America’s children, but she and the others have emerged with something far worse: frightening abilities they cannot control. Now sixteen, Ruby is one of the dangerous ones. When the truth comes out, Ruby barely escapes Thurmond with her life. Now she’s on the run, desperate to find the one safe haven left for kids like her-East River. She joins a group of kids who escaped their own camp. Liam, their brave leader, is falling hard for Ruby. But no matter how much she aches for him, Ruby can’t risk getting close. Not after what happened to her parents. When they arrive at East River, nothing is as it seems, least of all its mysterious leader. But there are other forces at work, people who will stop at nothing to use Ruby in their fight against the government. Ruby will be faced with a terrible choice, one that may mean giving up her only chance at a life worth living.

The plot in this book deserves more than 5 stars. It was attention grabbing and I’ve definitely never seen something like this before in this genre. If any such book exists, it’s a cheap knockoff (even if that book was written earlier)

Characters:5/5

The characters in this book were amazing. From Ruby, the main character to Chubs (I guess his designation is the sidekick but he was too smart for me to think of him as one) to Zu, the adorable little girl who was mentally traumatized enough into not speaking. Most books have one character (if they’re lucky) who stands out. But the awesome thing about this book is that there are many such characters.

Ruby: Ruby starts off at the beginning of the book knowing almost nothing about the world she lives in. But she has a good reason for this. Ever since she turned 10, she’s been stuck in a rehabilitiation camp (the concentration variety) because the adults are scared of her awesome super powers. So far this sounds like the plot to a cheesy comic, right? Wrong. Let’s just drive the stakes a little bit higher. Majority of the children in America had succumbed to a mysterious illness and died. The rest…developed super powers. Naturally everyone was scared. So they stuck their kids in camps which were designed to make the powers go away. That’s one brilliant thing about this book: The government and adults acted almost exactly like you would expect them to act in such a situation. However because this is dystopian fiction, the camps are horrible. The children in them are mistreated- the most dangerous ones are killed, the rest are treated brutally, not allowed to talk, forced to do hard menial labour, etc. Disturbingly,there are several parallels between the ‘rehabilitation camps’ and the Jewish concentration camps set up in Nazi Germany during WWII. But this really didn’t set in for me until Ruby tells us how her mom had told she would be allowed to shave when she was 12 but she didn’t actually do so until she was almost 16. In this book, Ruby is special because she is one of the last ‘oranges’ (that’s a code name for her power level and basically means she can mess with people’s minds- literally! ) and also dangerous for that reason. But here’s the catch: She has no idea to control her powers. Right from the beginning we can see how much her powers scare her. With one touch, she erased her best friends memory. <spoiler> somewhere in the middle we learn that she also erased her parent’s memory and in the end she erases Liam’s memory.<okay, relax spoiler’s over>. Ruby’s a good character. She’s nice without being too sugary. Scared enough without being a total coward. Powerful but not invincible and awkward enough without being cringe-worthy.

Liam: If Ruby’s a good character, than Liam is an even better one. Having come from a less notorious camp, he’s less troubled than Ruby and much nicer, sweeter and more naive for it. Liam is the kind of guy who has an actual personality. As soon as he meets her, Liam is all for travelling with Ruby. However this is not because of some twisted love-at-first-sight thing (thank god!) but more a reflection of his personality. He’s not the type of love interest whose life would revolve around his love for the MC. Ahem, Malcahi from Sanctum, I’m looking at you. No, Liam had much more going for him such as his need to help others and his  loyalty to his friend. Definitely a swoon-worthy romantic love interest.

Zu: It’s hard to learn about a character who doesn’t talk. I mean, can’t talk. Although no one ever says what, it’s implied that Zu was tortured and tested upon in the camp and was so affected she stopped speaking. Despite the fact that she doesn’t talk, it wasn’t exactly hard to learn about her. She’s a yellow (that means she can make stuff explode) but more importantly, she’s a loving little girl who’s interested in dressing up, needs a serious dose of self-confidence and fiercely loyal to her family (whether they’re related to her by blood or just bound together by necessity).

Chubs: Chubs is a character I really enjoyed. Annoyingly assured his intelligence was superior, a little bit (okay, actually a lot) distrustful and insecure- he’s the type of character who grows on you. And he didn’t just grow on me as a reader, he grew on Ruby too. As he came to trust her more, they had surprisingly insightful and profound discussions.

Clancy: This is a character who oozes charisma (not surprising, since he is the President’s son). At first I was kind of annoyed with him for appearing because I really didn’t want a love triangle. But there’s a lot going on underneath the polished and charming exterior of this boy. I guess you could call him the villain of the piece but I was never really able to muster up any real hatred for this character (By the way, Ruby wasn’t able to either). Sure he was petty, arrogant and jealous with a strong cruel streak. But that somehow added to his charm (believe me, I know how messed up that sounds) but somehow he managed to make it all up with a short letter to Ruby.

R-

I lied. I would have run.

-C

 

Romance: 5/5

The romance in this book was surprisingly good. It wasn’t too heavy, neither was it too light. It didn’t hurt that the characters involved in it were so brilliant either.

Plotholes: 4/5

 This book was surprisingly realistic. I mean if a virus such as IANN did exist I could imagine the world (or at least America) going to Hell in a handbasket like this. Of course there were some unhealthy messages in here. For example, Ruby’s whole relationship with Clancy but the book made it clear that the relationship was unhealthy.

Overall Rating: 5/5

No, I’m not surprised I gave this book a five star rating and you shouldn’t be either. It was amazing, I promise you and totally deserves this rating. Buy this books as soon as possible so that you can read it over and over and over again.

The Hunger Games: A Book Review

Book: The Hunger Games
Author/Authoress: Suzanne Collins

The Hunger Games (The Hunger Games, #1)

Hunger Games is one of the best known dystopian young adult books and I loved it. It seems kinds of silly to me, that I dedicated this blog to young adult dystopian books and I still didn’t have a post about the Hunger Games over here. I guess I took it for granted that everyone’s read the series (and loved it too) but recently I wished a friend of mine ‘May the odds ever be in your favour’ in and got a blank look in return. To minimize my self-humiliation I  prompted them- “You know, the Hunger Games?” and got a smile and a ‘I haven’t watched the movie yet’…
I haven’t watched the movie yet?!? <Shakes head in despair>. You poor, poor deprived person.

So, here I am, reviewing the Hunger Games not just for the sake of the people who think it’s just a movie but also for people who I know have read and loved it. Be warned, this may turn into a fangirling session.

Cover:2/5

I don’t really go for the minimalist style for book covers. So the stark black background with ugly white letters proclaiming that the book’s name was ‘The Hunger Games’ and watermarks of targets didn’t really inspire much enthusiasm for me. But I can admire how the background makes the mocking-jay pin stand out. It’s probably the most recognisable young adult series just for that golden shiny pin which appears in some form or the other on every single book in the series. And for good reason too, that pin is important. Every single event in this book eventually boils down to that pretty golden pin.

Characters: 3.5/5

Katniss: The main character that everyone loves and even if you say you don’t love her, you know deep down you really do. Ever since her father died at the tender age of ten, she’s been shouldering the full load of her family almost single handily. She learnt how to hunt with a bow and arrow (actually let’s be fair to her father, he taught her before he died) and hunts illegally catching squirrels and rabbits neatly in the eye as well as bringing bigger game down. Like expected from such a character, she’s not squeamish about blood or even that squeamish about killing human living beings. To her, they’re just bigger prey. She’s suspicious and mistrusting (even of her own mother) but once you have her loyalty or do her a favour, she’ll do anything for you and do her best to get out of your debt. And her way of classifying everyone into predator and prey- totally charming.  But she has her flaws too. Can there ever be a good character without flaws? Never mind, that’s a rhetorical question. Katniss is hot-headed and stubborn and while this makes her undoubtedly cool at some times, it gets her into trouble as well. Besides that, she has the annoying tendency to see everything in black and white and label everyone and everything as evil and good. She doesn’t see blurry lines and grey areas. Another thing that annoys me about her is her priorities- they’re seriously messed up.

Prim: Prim’s the kind of cliché sweet baby sister character who the main character has to protect. But Suzanne Collins is not content to leave her flat and two dimensional. With the help of memories and Rue, Ms. Collins manages to string together an amazing back story which not only shows just how gentle, kind and sheltered Prim is but her healing genius and  tough inner strength as well.

Rue: Rue was a fabulous character. Just small and innocent enough for Katniss to protect and wise, clever and skilled enough to stand on her own. Through her, we learn more about the Capitol and through her death we develop a hatred for it. I’m not ashamed to admit- this is one death scene I actually cried for.

Cato: Is it weird that I actually liked this brutal, brain-washed Career from district 2? His intense temper and smug arrogance made me laugh, laugh, laugh. Suzanne Collins, would you please do a short story from Katniss’s archenemy’s of the 74th Hunger Games point of view?

Plot:5/5

In a dark vision of the near future, a terrifying reality TV show is taking place. Twelve boys and twelve girls are forced to appear in a live event called the Hunger Games. There is only one rule: kill or be killed.

When sixteen-year-old Katniss Everdeen steps forward to take her sister’s place in the games, she sees it as a death sentence. But Katniss has been close to death before. For her, survival is second nature.

Honestly, how could I resist this plot?  It’s like a twisted mix of awful reality television, a promise of lots of action  and a chilling dystopian world. Just what I’ve always wanted.

Worldbuilding:4/5

The strange blend with old fashionedness (trains and phones as a novelty) and modern technology (mutated, genetically modified animals and food appearing at the touch of a button) that’s so common for these types of books worked fantastically for this one. The world building begins on page one of this book and continues on ’til the last page of the last book. It’s slow, gradual and inspired genius.

Action:5/5

You would think that with 24 deaths, eventually all of the action will get boring. That’s not true. Not true at all. Right now I’m thinking of death by tracker-jackers. Definitely not a fun way to go.  It seems weird to compliment Suzanne Collins on the imaginative deaths she thought up for her characters, but I have to. They were really innovative and cool in a gruesome sort of ways.

Romance:1/5

Peeta: For some reason Peeta really annoys me in this book. Despite him starring in a major part of the book either directly or indirectly, I feel that we’re not really given much information about him. Even the information we are given is in the form of telling and not showing. What we do know about him: he bakes bread, he likes camouflaging, he’s selfless, he’s a good actor (or the Careers are really dumb, either one or maybe both) he’s been in love with Katniss since he was five, he remembers everything about Katniss, he was too shy to tell her that he loved her for eleven years until he announced it on national television, he refuses to let Katniss put her life in danger for his sake, etc. etc.

I think you get my point.  A large part of his personality is based on Katniss’s. So much so, he’s almost defined by her.  If you take her away, you get a kind of cowardly guy who bakes bread and likes art. Not the dreamboat everyone thinks about.

Gale: We’re only treated to him for a couple of pages and it’s already obvious where this is heading. He’s angry, rash, masculine (which means he’s not into baking or art),  anti-capitol and truly, deeply and madly in love with Katniss although she doesn’t know it yet. Other than that, he’s remarkably similar to Peeta.<rolls eyes> Oh boy!

Disclaimer: I am sick of love triangles in which there are obvious winners and carbon copy characters. 

Plotholes:3/5

Just look up, the love in this book is riddled with plot holes.

Overall rating:4/5

I am reminded again why I do not read young adult dystopia for its strong,  gradual and beautiful romances. But I loved the world building, plot, most of the characters, and the action of this book. I would recommend reading and maybe even buying this book.

Rating a book

This is how I rate the books I read:

Cover and Title

The old adage ‘Never judge a book by it’s cover’ probably comes to mind but the truth is, the cover is the first thing that is judged. And authors know it too. That’s why the cover is the first thing that is released right after the title is. And as soon as the cover is released the book gets a barrage of comments, guesses and votes by the reader. Pictures capture the average human’s mind so much more quickly and effectively than a page of writing ever will.

That’s why in my reviews, the cover appears right after the title and the name of the author/authoress. But why do I rate book covers? And on what    basis?

 First impressions are the last impressions.

  And nowhere is this truer than in the book world. If the book cover’s dull,boring,ugly or just plain weird, chances are I’m not going to even pick the book up. In the case of a book, a picture is worth much more than a thousand words. The average book consists of much more than a thousand words. And for most people (me included), if the cover isn’t beautiful, they’ll never give the text a chance.

But a cover has to be a description of the content inside. In a post-apocalyptic book which is run over by zombies, the last thing that should be on the cover is a pretty princess in a sparkling ball gown. Yes, I’ve actually seen covers like this! Not only is it pure stupid, its misleading. If you have to rely on a pretty but inaccurate cover to lure your readers in then it doesn’t matter how good your book is;You lead them there on false pretenses and your rating is going to suffer for it.

So my book cover rating is based on how pretty it is and on how much it delivers.

Plot:

The plot section of my review is divided into two parts-the plot premise and whether the plot premise is actually a part of the book.

So what kind of premise do I want? I’m not looking for miracles here. I want a fresh and new idea, a promise of some juicy adventure and a good non-cheesy introduction to a book that leaves me curious and eager to read the book. On second thoughts, maybe it would be easier to ask for a miracle. Anyways these things account for a measly 2 out of five stars. More important to me, is how in-context a plot premise is.

Too often have I seen an amazing premise completely wasted because the author/authoress focuses too much on the action. Or maybe he/she’ll focus too much on the romance or the world building. My point is, the amazing story premise is just wasted because the author/authoress wasn’t able to balance  all the aspects of a story. Or maybe, he/she did the opposite. Maybe they focused too little on the innovative and brilliant part of the plot that drew me in in the first place and instead focused on the dull and the mundane parts that everybody’s written about a million times.

Characters:

The characters can make or break a book. Sometimes they can do both at the same time (think Elizabeth Norris’ Cracked). What readers want (or at least I do) are strong, independent, intelligent characters who are relatable and admirable at the same time. When I say relatable, I don’t mean a whiny,stupid (sorry, but its true) little girl who doesn’t know what’s going on but complains about her perfectly ‘average’ appearance anyways. And when I say admirable, I don’t mean a perfect Mary-Sue who’s smart,kind, beautiful, humble, talented and gifted at the same time. No, just no.

Please remember that the characters have to be like real people. By relatable I mean that they have to be the sort of people you could imagine sitting next to in the bus or passing by on the streets. They can have some character quirks but they can’t completely be made out of character quirks. By admirable, I mean they have to be the sort of person who reminds us of the best humanity has to offer. But ultimately they have to remain human too (I mean this figuratively not literally. Even if they’re vampires or animals, they still need to be somewhat ‘human’.)

The same rules apply for supporting characters. Just because they’re background characters for this story doesn’t mean they’re always background characters. Supporting characters are real characters too. They deserve to be more than 2-dimensional. There are no small characters in books, only small parts.

Romance:

And here is where most young adult books fail. A good test for this would be to take away all the romance and examine the story afterwards. Let me try with a few well-known Young Adult books.

Twilight- if you take the love story out of this book, it becomes a story in which a girl with little self-preservation moves to a ten where it rains. A lot. Boring

The Hunger Games- without the romance, it’s a book about a evil dystopian government which hosts a Hunger Games every year. In the Hunger Games 24 children fight to their deaths until only one is left. The winner earns fame and riches for the rest of their lives.see what I mean? Even without the romance, it’s still pretty interesting.

I’m not completely against romance. I can enjoy it in small, good quality doses. What I mean to say is that the romance should never become the major plot of the book. A little romance in the background is great but you know its going to be a horrible story when the protagonist thinks something like this. ‘I think I love guy XYZ. He’s so sweet and charming. He really loves me too and he shows it in the cutest of ways. But wait, what about guy ABC? He says he loves me too. He’s a bit creepy but he’s so hawt. I can’t believe he loves me! But I can’t cheat with him on guy XYZ. He’s so sweet and charming. He really loves me too and he shows it in the cutest of ways…’ and on and on. That kind of love is unhealthy. Besides, its repetitive and boring to read about.

Action:

Some books have action and some books don’t. It would be unfair of me to discriminate between such books. Even though I’m the sort of girl who loves action, one of my favorite books Fangirl by Rainbow Rowell. And it has a distinct lack of fight scenes. In fact, it would be weird if contemporary books like Rainbow Rowell’s had action scenes.

But I’m a discerning person. If there are fight scenes, i want quality ones. No ‘he cut him with a knife’ or ‘he screamed’. I want something…a little more descriptive.

Show me; Don’t tell me.

World building:

The main rules here are:

1.) be  creative
2.) don’t infodump

And I use these as my criterion for rating the worldbuilding. At the end of the book, I want to remember the world. Use whatever means you have to. If you want to use cute and innovative terms like Scott Westerfeld did in Uglies, go ahead. If you want to create a creepy government like Marie Lu did in Legend, be my guest. If the book’s consistent with the above rules, it’ll get a high rating from me for sure.

Plotholes:

If there are any unhealthy messages conveyed in the book or any gaping flaws (holes!) in the logic of the plot, I’ll mention it here. Nothing ruins the reading experience more than plotholes. If it seems like the author/authoress is withholding essential/too much information from their readers for the sake of the sequel, I’ll complain about that too.  Depending on how bad this is, I’ll give this section a rating between 1-5.

Overall rating:

In the book-reviewing world, not all criterion are equal but some are more equal than others.

I don’t just take the average of all the above ratings. No, that would be too easy. There are some things which are more important to me. For example, I care about the plot, characters and world building more than I care about the plotholes and action. And I care infinitely more about the plotholes and action than I do about the romance and book cover. Its all adjusted for in my system.

How do you rate and rank your books